Showing posts with label Tru Thoughts. Show all posts
Showing posts with label Tru Thoughts. Show all posts

24 November 2014

And This... #3: Titeknots + Tru Thoughts 15th Anniversary















And This...
#3
TITEKNOTS
+
TRU THOUGHTS 15th ANNIVERSARY

I'm a big fan of Tru Thoughts. Have been since the early days (don't they all say that?) and am proud to have repped them and their artists hard, both personally and professionally. One of my enduring memories of the label was the warmth, friendliness, free records and delicious food I was supplied with when I was lucky enough to get to Brighton - and even co-host a Breakfast Radio show with Sweetpants, and TM Juke, Natural Self with label-boss Rob Luis, from a flat in some leafy street in the seaside city.

They're celebrating their 15th Anniverary in 2014, and I'm bloody stoked for them. Consistently strong releases and a willingness to press wax at every possible opportunity continues to win me over. Getting Alice Russell back on board was always going to be a winner, too. Talk about enduring memories.

Anyway, I could've picked any one of a number of tunes to highlight the milestone for the label, but I've gone with one from the compilation 2CD you can pick up now. It's a track with a whiff of early-Quantic to it, but it comes courtesy of one of the label's more recent signings, Titeknots. This young UK producer has released a string of bangin' singles, all twisting house music into some bloody interesting - and increasingly danceable - shapes. I like. I reckon you might, too. Listen to the single 'Hummingbirds' here, or in the player below.

Titeknots website.
Tru Thoughts website.

07 November 2014

Playlist: EXPANSIONS RADIO on Base FM


















Expansions Radio with 90
10am Thursdays, Base FM
107.3FM | Freeview CH71 | Tune In App
And streaming at www.basefm.co.nz

Expansions Radio online
Go to www.mixcloud.com/nyntee

06.11.14

NeguimBeats | One Time
El. Train | Drop
Singularis | Rain
XXYYXX | Closer (Soundpalette flip)
Bleak Amethyst | Theseus (Dexter Brandon remix)
Fear Club | Nelly
Zephyr | Synthony
Daddy AOL | Fall Off
Maddslinky with Tawiah | Further Away
Rilla Force | Ruby Suns
Coleman | Islands (Joe Kay's Slowed edit)
Wrongtom meets Deemus J | Jump + Move + Rock
Yes King | Devil Inside
Josey Wales | Rasta People
Natural Numbers | Theme For King Richard
Rodney P with The People's Army and Mighty Moe | Live Up
Sleepin' Giantz | Raving Bully
Werkha | Lapwing
Titeknots | Hummingbirds
Broke One and Xavier Leon | One Hour Later (Monk' remix)
Elefo | Turned Me On
Zed Bias with Jenna G | FairPlay (Zed Bias Old Skool remix)
Earl P | Return Of The Sphere Dweller
R-ASH | Can I Get With You
Isaac Aesili with Iva Lamkum | Chemistry
Leonard Charles | Got 'Til It's Gone
Ducky | To The Water
Jeff Fressco | It Ain't No Shuffle
Deep Shoq | No Traffic
Yoin | Werk Life
Aurelius | So Many Times
Handbook | Missing You
Handbook | Charm (Psymun remix)
Tall Black Guy | Al Green's Dream (Travis In EFX Mode mix)

This show now available for streaming right here.

Happy 15th Anniversary Tru Thoughts! Still one of my favourite labels.
Also, check this compilation from Widad Records. Highly recommended!


07 November 2012

Review: Kylie Auldist 'Still Life'













KYLIE AULDIST
Still Life
[Tru Thoughts]

This kind of soulful pop music is often deried as "cafe lite". As in, it initially sounds sweet and entertaining, but upon closer inpspection ends up sickly saccharine, or lamely boring. In truth, it's an exceptional artist who can pull off this sound consistently, as it is a fine line to tread. Luckily for us, the close collaboration of vocalist Kylie Auldist and producer Lance Ferguson is more than capable of such consistency. They've been quietly building an impressive body of work via no less than five Bamboos albums, and now Auldist's third solo record. Still Life continues in the vein of her early work, with heartfelt and emotive tales of life, love and loss, backed by full-bodied instrumentation and production. Ferguson has always had a way with a clever pop song, but some of these tracks, particularly the huge Daydream, sound like stadium anthems to rival Duffy and Adele. Balancing that are tracks like Letterhead Life, which references '50s doo-wop and soul ballads, and (a cover of The Black Keys' track) Howlin' For You, which channels John Lee Hooker via Prince Jammy. Auldist and Ferguson are music lovers with life experience, and they write consistently good pop music, with a broad stylistic reach. So it's one of life's cruel ironies that such consistency has probably hindered them from reaching further levels of fame; particularly in this age of one trick pony production line gimmickry masquerading as music. This stuff is proper pop music, and its creators should be celebrated in far greater fashion than they are/ Spread the good word, folks.

3 and 1/2 stars from 5

Check out the track Howlin' For You here, or in the player below...

Kylie Auldist - Howlin' For You by Fuse Group Australia

24 October 2012

Review: The Hot 8 Brass Band 'The Life & Times Of'













THE HOT 8 BRASS BAND
The Life And Times Of
[Tru Thoughts]

Truly funky music speaks to the listener regardless of how polished it is, what genre it is, or when it was recorded. Truly funky music can be painstakingly put together electronica or loose-limbed organic live playing. Despite the good work of the Godfather, it has little to do with "the one", just ask Tony Allen or Sly Dunbar. Hell, even a brass band can be truly, mind-blowingly funky, just take a listen to The Hot 8 Brass Band. Direct from the Second Line streets of New Orleans and breaking out of the city with the most lively and energetic version of Marvin Gaye's classic Sexual Healing these ears have ever encountered, the band's debut album dropped in 2007 on Tru Thoughts. Coming through the horrific experiences of Hurricane Katrina and losing several members of their group (two to street violence) has been taxing for the Hot 8, but they've returned with a brand new album, proving they're no one-trick pony. The Life And Times Of is a trip. A beautifully vibrant and raggedly funky brass band take on soul, funk and hip hop, the record is far from being slickly produced - but the sheer exuberance they've captured among the warts and all is nothing short of infectious. With a clutch of original tunes alongside covers of Basement Jaxx's Bingo Bango and The Specials' Ghost Town, it's clear that while these guys are serious about playing brass instruments, they don't take themselves too seriously. Recommended.

3 and 1/2 stars from 5

23 April 2012

Review: Quantic & Alice Russell with The Combo Barbaro 'Look Around The Corner'













QUANTIC & ALICE RUSSELL WITH THE COMBO BARBARO
Look Around The Corner
[Tru Thoughts]

I love the music of Will 'Quantic' Holland. I love the music of Alice Russell, too. I've been following them both for some time. Still the best-selling artists on the Tru Thoughts label, they were my (and probably many folks') introduction to the little Brighton-based label-that-could. Indeed, my love for both musicians runs so deep I was afraid my expectations of this album were too high, my hopes too great. And upon first listen, I didn't know what to think. However, it doesn't take long for the full charms of this fantastic record to reveal themselves. Recorded in Holland's adopted hometown of Cali, Colombia, during two visits from Russell, and utilising much of Holland's regular recording and touring band the Combo Barbaro, Look Around The Corner is (remarkably) the first album project Russell and Holland have worked on together. Like a great melting pot of the contributors' differing styles and blend of influences - blues, soul, gospel, an underlying Latin feel which is always present - the album has huge and varied appeal. Big string sections, memorable melodies, intoxicating percussion; the momentum barely lets up, the energy and enjoyment levels seldom dip. Russell is superb throughout, with her effortlessly powerful voice showing shimmering layers of subtlety. Special mention must be made of pianist Alfredito Linares and violinist Mike Simmonds (a regular Russell collaborator), both of whom seem to sprinkle gold dust over everything they touch (particularly on the outstanding instrumental track Una Tarde en Mariquita); while Holland's trademark warm production compliments the immaculate ensemble playing. Look Around The Corner is not only everything we could have hoped for from an Alice Russell/Quantic collaboration - deeply soulful, extremely funky and beautifully rendered - it is arguably the best work yet from either of these artists.

4 and 1/2 stars from 5

There are plenty of links to follow in the review above, but also check out the cover version of I'll Keep My Light In My Window below. Purchase your copy of the album on vinyl and/or on CD...

Quantic & Alice Russell with the Combo Bárbaro - I'll Keep My Light In My Window by Tru Thoughts

25 March 2012

Review: Brighton Treats compilations by Rob Luis
























Various Artists
BRIGHTON TREATS WITH JAMAICAN BEATS
Compiled and Mixed by Robert Luis
[Mieven]

Various Artists
BRIGHTON TREATS WITH POPPED BEATS
Compiled and Mixed by Robert Luis
[Mieven]

The heads among you will be wondering why on earth I'm "reviewing" a pair of compilation albums that not only came out more than five years ago, but also in such small quantities (allegedly only 400 copies of each!) most everyone on the planet has little hope of procuring a copy. Not that I'm advocating illegal downloading or file-sharing, but I'm sure if you try hard enough you'll track these two gems down. The rewards are well worth the efforts, regardless of any legal wrangles which may ensue. Tru Thoughts label-founder Robert Luis butters up both selections with a fine array of music from his own label, among a deft selection of tunes from across the spectrum.

Brighton Treats With Jamaican Beats sees Luis lay out a chilled selection on disc one with a bunch of rare reggae tunes and downtempo grooves, while on disc two he throws down a tougher blend of hip hop, drum and bass, reggae and dancehall. This is all top shelf material, covering Junior Murvin, Byron Lee, The Upsetters, Papa Levi, Nina Simone, The Specials, Ghostface Killah, Butch Cassidy Soundsystem, El Michels Affair, Handsome Boy Modeling School, Emanon, Pete Rock, Lily Allen, Digitek, Lightning Head, Quantic, PD Syndicate, Stylo - and many more besides.

Brighton Treats With Popped Beats takes a different tack altogether, with Luis assembling a massive collection of covers, mixes, remixes, originals and rarities that have tickled the British Top 40 at some point over the last decades. It's a broad, sweeping selection that sees the underground collide headfirst with pop music, and with the likes of N*E*R*D, Breaks Co-Op, Olive, Radiohead, Christina Aguilera, Aretha Franklin, Zero 7, Eminem, Portishead, The Wild Bunch, Texas, Dizzee Rascal, Wiley, John Legend, Michael Jackson, Britney Spears and plenty more on board, this is one of the greater guilty pleasures in my record collection.

4 stars from 5 (both compilations)

Check out my review of Tru Thoughts Shapes 11.01, also compiled by Robert Luis.

01 December 2011

Review: Tru Thoughts 'Shapes 11.01' Compiled by Robert Luis













Various Artists
SHAPES 11.01
Compiled by Robert Luis
[Tru Thoughts]

Throwing shapes. Making shapes. Whatever. For me, the word 'Shapes' will forever be associated with semi-regular lable compilations from Brighton-based independent Tru Thoughts. For the past wee while they've been putting out often double-disc (and recently on vinyl, too!) selections of tunes old and new; and 2011 is no different, with co-owner Robert Luis again compiling a bespoke collection reflecting the label's eclectic musical vision. Brand new signings (Mark de Clive-Lowe, Anchorsong, Benji Boko) nestle alongside old hands (Quantic, Kinny, Hint), plus all sorts of other goodies, including previously unreleased tracks (which are actually quite good, not just outtakes), new remixes and guest appearances from Aloe Blacc, Bembe Segue, Tawiah, Skream and Mark Pritchard. Shapes 11.01 is divided into two discs, and disc one is the clear winner in terms of sheer "listenability". Standouts include Lanu (aka Bamboos' main-man Lance Fergsuon) and Megan Washington's quirky Roosevelt Blues; Belleruche's classy, stripped-back dancefloor-pleaser Northern Girls; the effortless soulful pop of Lost Baggage, from Kinny (currently working with De La Soul on their next single); Portada Del Mar, my faourite track from the Quantic Presenta Flowering Inferno album Dog With A Rope - plus Dr Dre re-interpreted cumbia-style with Nuthin' But A 'G' Thing given a radical rework by Quantic Y Su Conjunto Los Miticos Del Ritmo. All of this alongside the hazy glitch of Anchorsong's Plum Rain and the thrust and impetus of Hidden Orchestra's duelling drummers on Dust; while, elsewhere, Tawiah teams up with Maddslinky for the future funk twist of Hiding Place, Tenor Fly adds toasting style vocals to Smerins Anti-Social Club's mad reggae version of the Dr Who theme, and Anthony Mills and Freddie Cruger's hit-and-miss Wildcookie collab contributes one of their better tracks with Serious Drug. Even if it purports to be more mellow, CD1 really is an absolute belter of a selection. Standouts on disc two feature Bembe Segue and Nia Andrews adding funky, gritty prettiness to Push (itself one of Mark de Clive-Lowe's most complete pieces of tough future funk from his recent Renegades album); a trip back to Lanu's self-titled debut album for Tru Thoughts with the funky breakbeat of Mother Earth, featuring Quantic (guitar) and Aloe Blacc (vocals); J Boogie adding a little club-flavoured beat-spice to Quantic and His Combo Barbaro's already fetching Un Canto A Mi Tierra; electro-styled bleep-funk courtesy of Beta Hector and their Jupiter Mission - which sounds exactly as the title suggests; a mad mash up of glam synth funk and dubstep with glitch-tech via dancehall on speed, thanks to Be Electric, from the also appropriately monikered Randomer; and Maddslinky and Skream seriously upping the wobble-factor with 50 Shades Of Peng. Disc two, while inarguably fresh and exciting, is perhaps just a little too ambitious and varied in its musical spread to consistently please these ears - but that could be splitting hairs. Either way, the "future music" found - particularly on the second disc - on Shapes 11.01 brings not just freshness and excitement, but also a certain sense of balance, to what is ultimately yet another compelling collection showcasing one of the most thrilling independent music labels ever to really give a shit.

4 stars from 5

Check out the Tru Thoughts site and sign-up to their newsletter too!

16 November 2011

Review: Mark de Clive-Lowe 'Renegades'













MARK DE CLIVE-LOWE
Renegades
[Tru Thoughts]

Uncompromising. That's the first word I'd choose in describing Mark de Clive-Lowe's approach to music making. Over a career which spans nine solo albums and countless collaborations across the globe, MdCL has developed and delivered a style which has become all his own; and while he may have a new label (Tru Thoughts), that uncompromising approach remains on his latest album, Renegades. Running the gamut of his preferred genres, with a heavy emphasis on contemporary funk, hip hop and broken beat, Renegades displays a consistent thread from go to whoa, giving guest vocalists Omar, Bembe Segue, Tawiah, Sandra Nkake, Ovasoul7 and Nia Andrews plenty of space to deliver compelling performances. Andrews is the standout, appearing on three of the best cuts here: We Renegades, with its crunchy head-nodding lope; the loose-limbed, jazz-tinged Hooligan; and the future-soul bounce of The Why. MdCL's love for working with like-minded, virtuosic musicians remains strong, with percussionist Sheila E. (Prince), bassist Pino Palladino (D'Angelo, The Who) and string master Miguel Atwood-Ferguson also among the guests. Despite the superstar line-up though, the songs are more than good enough to stand up, marking Renegades as MdCL's best work since Tide's Arising - and maybe even his best yet.

4 stars from 5

Check out a preview of Renegades here...

04 May 2011

Review: Hidden Orchestra 'Night Walks'














HIDDEN ORCHESTRA
Night Walks
[Tru Thoughts]

I cringed when I saw the sticker on the Hidden Orchestra debut album Night Walks. For fans of Zero 7, it says. Oh, really? Those boring bastards are worthy of being name-checked on a sticker? And this from one of my all-time favourite labels, Tru Thoughts? What the hell's going on?! Luckily for my pulse rate, the Edinburgh-based group formerly known as Joe Acheson Quartet doesn't sound much like Zero 7 at all. I hear Bonobo, Clifford Gilberto, Tortoise and classical influences mixed with Morricone and Axelrod, like a 21st century musical version of Alfred Hitchcock. Hidden Orchestra seek to emulate electronic music via acoustic means, utilising traditional live instrumentation, organically assembled samples - and two live drummers. This beguiling blend of hip hop swagger, lush sweeping orchestration and post-rock experimentalism makes for an intense and rewarding listen. Cinematic, emotive, percussive, next generation music. And Zero 7 can piss right off.

4 stars from 5

26 January 2011

Review: The Rhythmagic Orchestra 'The Rhythmagic Orchestra'













THE RHYTHMAGIC ORCHESTRA
The Rhythmagic Orchestra
[Impossible Ark / Unfold / Tru Thoughts]

As I lean back in my plushly lined listening chair in the expansive sound lounge of Chez Nyntee, with a cup of tea in one hand & the hi fi remote in the other, casually dictating this week’s Radio Ponsonby Record Review to one of my many personal assistants, a troubling thought again crosses my crumpled brow…

Why does good music like this get so little attention?

OK, so to us cynics the answers seem painfully obvious, so much so that I will simply ask you, dear reader, this: does the TV3 Nightline news team really need to be “reporting” about Justin Bieber? It’s after 10pm. What IS their target audience…?

But we at In The Pocket are not about to launch into a general rant about the many failings of the culture of celebrity while there’s an opportunity to carve some interest for a group who most certainly fall squarely into the aforementioned “brow-crumpling” category.

The Rhythmagic Orchestra was conceived & is produced by Benedic Lamdin & Hugo Mendez, two individuals with deep roots in Jazz & Latin music respectively; while the Orchestra themselves count members of Nostalgia 77 Octet, Ska Cubano, Examples Of Twelve & Jazz Jamaica among their number.

Lamdin himself is Nostalgia 77 & the co-owner of Impossible Ark, the label this self-titled debut is released upon (via Unfold & Tru Thoughts). He has long been championed in the British Jazz scene & beyond, with his work with UK legends Keith & Julie Tippett, as well as his critically acclaimed Skeletons project, of particular note to the Jazz Cats. His collaboration with Alice Russell on the massive slab of music that is Seven Nation Army, their stonking version of the White Stripes’ track, is a huge reason why he has also turned Heads in underground dance music circles.

Speaking of underground dance music circles, Hugo Mendez has generated more than a few & been gainfully employed in many more than that in his time. His own record label, Sofrito, is a true beacon of Latin-based music & he is considered a leading light in the London “tropical music revival” (for want of a better phrase). He assisted Soundway Records in compiling their outstanding Tumbele compilation & has brought tropical music to the heads & feets of many folks across the UK & Europe.

Enough nerding out – what about the music?

It’s not often you can put an all instrumental album on your stereo & have it hold your attention from start to finish. I have listened to the Rhythmagic Orchestra album no less than five times through in the last couple of days. It is genuinely compelling listening, particularly for a fan of Soundway Records, Quantic & His Combo Barbaro & (dare I say it!?) the Buena Vista Social Club.

The Rhythmagic Orchestra features some of the finest Jazz & Latin musicians in the UK, so it’s no surprise that the rhythm section’s interaction is excitingly fresh & the rhythms playful; the lyrical melodies are strongly presented via some beautiful brass playing; & it is all tied together with an understated, never overplayed, hand by a very versatile pianist. It seems as though everyone involved is playing FOR the betterment of each song. Wow, what a concept!

The Rhythmagic Orchestra have presented us with a beautiful blend of Jazz & Cuban music, well crafted & passionately played, which makes for vibrant, liberating listening, from top to bottom. The only sensible thing to do is turn the Bieber-dial down & get your stereo speakers popping with some actual music.


In A Nutshell: Liberating, vibrant, compelling Jazz/Cuban music, well crafted & passionately played.
90's Rating: EIGHT stoned bongo players out of TEN.

Listen to the Radio Ponsonby Record Review every Wenerei at 8.30am on Murry Sweetpants' Breakfast Show. Huge thanks to Longroom for sponsoring the review. Nice one.