Showing posts with label cover story. Show all posts
Showing posts with label cover story. Show all posts

06 October 2011

Interview: Adrian Utley of Portishead


















WHERE'S YOUR HEAD AT?

It's been 14 years since Portishead last performed in New Zealand - which seems reasonable considering there were 10 years between their second and third albums. Alongside Geoff Barrow and Beth Gibbons, Adrian Utley forms the core of the famed group. He had plenty to tell VOLUME about the band's beginnings, their forthcoming shows, and how they stay sane in the music business.

"I have really fucking had enough of this!" Adrian Utley was over it.

He'd been playing guitar since hearing Hendrix's Axis: Bold As Love, he'd kicked off a career in music in the mid-'70s, playing in country and western bands, British holiday camps, jazz groups and with legends like Jeff Beck and Big John Patton.

Utley was a noted session musician, a virtuosic guitar-slinger for hire, and he'd reached the end of his tether.

In stepped a young Geoff Barrow: "Geoff was working as a tape operator - which really meant making loads of cups of tea for the bands and engineers - and he sampled a band I'd played in," says Utley of his first meeting with his future band mate, "I heard him messing about with it, and introduced myself."

"He was 19 and I was 30. We were both listening to A Tribe Called Quest, Black Sheep and electronic avant-garde music, but while most of the people in my life were respectful of my desire to hear hip hop, they didn't like it," chuckles Utley, "But Geoff and I were as obsessed with Public Enemy's It Takes A Nation Of Millions as we were with making new sounds, so I was like: 'There's a new door here'."

The Portishead story is well-told: this 'new door' opened to worldwide fame as their 1994 debut album Dummy sold like hotcakes pretty much everywhere, winning the prestigious Mercury Music Prize and essentially breaking the band in the US even before they'd toured there. Dummy is rightly considered a classic, and in 1997 their self-titled follow-up cemented them as a big deal. Then, nothing. Well, sort of nothing, as the band disappeared from public view for the best part of seven years.

So, did Portishead split up? "No!" Utley exclaims, "We'll never split up! We'll always make music together, but at that point we just didn't want to do it anymore. I mean, we wanted to play music together, but the experiences we'd had, particularly in touring the Portishead album, affected the level of expectation on us," he says, referring to a combination of "pressure, press and misquotes".

"Don't get me wrong; I've played my whole life in shitty dives so I'm grateful for Portishead, The thing is, we care very much about the music and getting it across, but our home lives had fallen apart and it got so intense, so we just couldn't keep going."

Portishead played a scattering of shows in the mid-2000s before releasing the aptly-titled Third in 2007, which quickly silenced the doubters and was embraced as a worthy addition to their small but highly regarded catalogue.

Now, they return to our shores - what can we expect from the show? "We'll be playing the old tunes and loads of stuff off Third. We've got some very cool visual stuff going on, and we've worked very hard as a band to be able to play 90% of everything you'll hear live, with only a few samples," Utley enthuses. "Though it sometimes feels a little like a house of cards, it's exciting and gives us the opportunity to really cut loose. We're looking forward to it immensely!"

I press him again on how long this all might last this time - is this the 'final hurrah' for Portishead? Or can we expect another album, eventually? "Nowadays we really just play together when we want to," says Utley, "I don't mean to sound conceited about it - I mean, we've all got kids now - and we don't want to thrash ourselves anymore. Plus we've all got other projects on the go, and we've found that working with people outside of the group breeds enthusiasm for writing more Portishead songs, so we're all excited about working on the new album when we're home from the tour."

That grounded attitude must have helped hugely in dealing with the level of success Portishead has enjoyed. "Definitely. We all lived in Bristol when we started - and mostly still do - you know, we didn't all move to London and change the way we live. We didn't all suddenly come swishing into the studio wearing cowboy boots - none of us would've let the others get away with it!"

Trip Hop: The Birth Of A Movement. Or Not.

"They're just words, aren't they?" Adrian Utley is talking about 'trip hop'.

Alongside Massive Attack and Tricky, Portishead are considered originators of the sound, or at least responsible for popularising it.

"People need a vocabulary to describe music," he says, "but it is weird. And while there were lots of bands who got in on that sound, I thought they came at it the wrong way."

"Portishead were influenced by hip hop, electronic and avant-garde music, but we were always reaching for something new," Utley says of he and Geoff Barrow's early endeavours, "We came to this music from trying new things; putting the drums through shitty little amps but throwing really fucking heavy guitars on there."

"I guess us, Massive and Tricky were on a similar tip, but we never intended there to be a movement; we never shared what we were trying to do with those guys," he says, "I mean, one time we were recording in a studio in Bristol and we knew Mushroom [of Massive Attack] was in another studio down the hall, so we went to say hello. When we walked in the door, he pulled down all the faders and turned the computer monitors off!"


This interview originally appeared in Volume Magazine Issue #005, 4th October 2011.

Read the live review of Portishead's 2011 NZ show here.

25 August 2011

Interview: Mu from Fat Freddy's Drop













CHURCH IS IN SESSION

It seems appropriate Fat Freddy's Drop will be performing at an iconic Auckland venue most recently used as an evangelical church.

Auckland's oldest surviving theatre, The Mercury, hasn't been home to a musical show since 1992, which was a large part of the attraction for the band when they began planning to play a few local gigs before heading to Europe for the seventh visit in as many years.

"We wanted to keep things fresh for us and our audience," says Mu, when discussing why they'd chosen The Mercury Theatre and Wellington's Front Room for these shows, rather than ramming a few thousand punters into bigger venues and banking some serious spending money. "The summer tours have been pitched at the younger end of our audience, so we thought this was a good way to appeal to the older demographic. It'll be much more intimate, classier, more comfortable, and you get the same Freddy's show with a mix of new and older material."

Did you say new material?! "Some new material and two older songs - 'Black Bird' and 'Afreak' - which we've just tracked and we're really happy with." So, new material, for a new album? "Yeah, there's new material and older stuff that's never been recorded being reworked. We're sifting through those to pick out ideas strong enough to make good songs."

While I pause to take in the good news, it seems Mu's just warming up. "We've found a great space, one of those classic old Welli warehouse spaces we all grew up in, going to awesome parties. We keep the PA set up there and just walk in and jam, so we've been writing some new material and jamming it loud to replicate a gig environment."

Anyone familiar with the Freddy's back story will know this is a huge departure from their set up at The Beach, Mu's home studio at Lyall Bay where they recorded both their albums, but Mu is resoundingly postive about the change. "It has injected new life and new energy into the band. It's cool to have our own space and it's exciting to go and jam there."

He laughs when I ask if he ever really thought Freddy's would make it to three albums. "It's been amazing to be involved. The personnel within the band is the main thing: whenever we hook up to tour, to record, to write new songs, it's still a lot of fun. We just love making music together."

I put it to Mu that, besides loving making music together, it must also be incredibly gratifying for the band to return to Europe year after year to bigger crowds and better venues - having made a conscious decision to do it all independently. "Definitely, very much so. It's been a lot of hard work, but being independent has been the right decision for us. I think it still is. In Europe there are different tiers of the industry, and when you operate at the level we're at, you can get over there, put on good shows and make enough money to bring some home."

This tour sees Freddy's in Norway for the first time, alongside their own dates in Poland and Belgium (where they'd previously only played festivals), plus Germany, France and the UK. "Berlin will be big. Brixton will be big," understates Mu (they're headlining Brixton Academy, expecting just shy of 5000 people). "We get well looked after in those places now."

He laughs again: "Though it's always about finding new ways to keep it fresh, there's still that spark when we get together, and it's still really enjoyable."

Hallelujah.

This interview was originally published in Groove Guide issue #368, 4-10 May 2011.