Showing posts with label spotlight. Show all posts
Showing posts with label spotlight. Show all posts

27 February 2013

Spotlight: Nia Andrews 'Colours'














Los Angeles-born singer/songwriter Nia Andrews has had one of those lives that are worth going into some detail about: the self-taught musician dropped out of the Thelonious Monk Institute of Jazz due to an inability to actually read music. She then pursued a career as a writer, finding success particularly as a treatment writer, with her concepts directly resulting in multiple MTV awards. She then moved back toward music, taking a position as "creative assistant" to Common (though I'd like to know what that really means...) before quickly becoming his background singer, and going on to sing behind Mary J. Blige, Lauryn Hill, Janelle Monae and many, many more. Andrews is currently collaborating with Golden Globe nominated songwriter Andrea Remanda and producer Deron Johnson (Miles Davis, Alanis Morrisette, Seal) on her debut solo album.

Colours is a 4-track EP of all original material which Andrews has written and recorded with Remanda and Johnson, which is being released in advance of the album. As a teaser, I guess.

Whatever. Even if Andrews wasn't Mark de Clive-Lowe's missus I'd still be drawing attention to this release.

She possesses a voice which bleeds emotion, and her lyricism is what one would expect of someone with her credentials. The music is woozy without being wobbly and dreamy without a sniff of Dilla's influence, while the presence of guitar and proper pop hooks put this release somewhere nearer the mainstream that I would've expected.

And in this case, that's not a bad thing at all. I hope folks do sit up and take notice. And you can too, in the player below, or right here.

21 February 2013

Spotlight: Mara TK 'Taniwhunk'














Mara TK possesses one of "those" voices. You know what I mean: disarming, seductive, almost ethereal. It is no lion's roar, sure, but despite this he delivers his messages with as much intent and clarity.

Mara is the vocalist and frontman (such as they have just one) for one of our most forward thinking and exciting musical groups, Electric Wire Hustle, and son of legendary Kiwi guitarist Billy TK. He is also one of the most gentle, reticient and caring frontmen I've ever met.

The Taniwhunk EP was a double A-side release on a very limited run of 7" singles back in 2011, but this self-confessed 'Maori in Space' has just scored quite the coup: he is re-releasing both tracks (Run and Anyone Here?) through German label OnGravity Records - with remixes by Moodymann and Simbad. I know!

Check the Moodymann mix in the player below, or here; and the Simbad mix here.

Propers to the brother for getting the word out. And speaking of 'the word', check out this link for some serious prose (brose?) describing his sound and the driving force behind his music making. Mauri Ora!

13 February 2013

Spotlight: Madeaux 'EP'













One of the perks of this "job" (how my parents laugh when I describe what I do as such) is being sent fresh, exciting, new music (or fresh, exciting, old music, for that matter) and being exposed to a whole bunch of stuff I would've otherwise probably never even knew existed.

Like Madeaux.

Released on LessThan3 Recordings, this four-track EP (which stretches out to 20min in length) showcases the young producer's hip 'sound-of-now'. He describes it as "chopped and screwed electronic soul" and "underwater pop music", and I'm happy enough with that to regurgitate it here without sarcasm; and would add I also feel the influence of the likes of Madeaux's peers Disclosure, Flying Lotus, and perhaps even J Dilla.

(Regular readers of this blog will be aware I can be scathing of folks I feel are leaning a little too heavily on the legacy of Dilla in finding their own sound. Thankfully, this is not the case with Madeaux.)

I'm probably feeling the treacle-deep groove of opening track Departing the most, though the twisting drum patterns of both Transatlantic Rhapsody and Midnight Sun (featuring guest vocalist Beca) recall the best bits of UK garage, two-step and broken beat, which I'm loving re-visiting right now. Closer Accidentals indulges in a little glitch and some heavy, heavy bass, and ensures this EP finishes with a stylish flourish.

Take a listen to the EP in the player below, or follow one of the many links in the piece above. When you're done, head on over to Beatport to nab your own copy...