16 November 2011

Live Review: Portishead at Vector Thu 10 Nov













PORTISHEAD
Vector Arena
Thursday 10 Nov 2011

"Evening. Bit of a shaky start."

Those were singer Beth Gibbons' first words to the crowd at Vector Arena, three songs into what was actually a triumphant return for Portishead to New Zealand, fourteen years since they were last here. She didn't address the audience again until the end, when she simply repeated "Thank you, thanks!" as the band took their deserved bows.

And yet she - and the rest of Portishead's touring party - had us enraptured throughout.

Gibbons was joined on stage by fellow core members Geoff Barrow (percussion, scratching, keys, guitar and goodness knows what else) and Adrian Utley (guitar, keys); a drummer, bass player and additional keyboardist. When VOLUME magazine spoke with Utley a few weeks back he professed the band had been rehearsing hard to play as much as possible of the material live, rather than relying on loops and samples. This approach paid rich dividends, as the bands' playing was close to immaculate, with many genuinely breath-taking moments - particularly the big drops and drums, eerie harmonies and hip hop scratches of tracks like Cowboys, Glory Box and Machine Gun.

Those moments - indeed, most of the show - were enhanced by the syncing of the absolutely massive - and equally impressive - LED screen behind the band, which took up the entire width and height of the stage. The visuals segued from underwater shots of seaweed to oscillating whirlpools; from an incredible bright orange-red rising sun to crackling, scratchy, grainy and extremely (mis-)treated live footage - often layered atop one another. The lighting too was spectacular, with one particular standout moment the stark, bright red backlighting during a crackling hot reading of Glory Box.

At several points mobile phones were held aloft in the audience in a manner not unlike lighters at a rock gig; and there were moments when crunching guitars, the power of two live drummers and layers of keys created an epic, stadium-like feel despite the confines of a truncated Vector.

A friend remarked, "...they're so much better live!" and that summed it up nicely: the show was everything you would expect from Portishead if you'd only heard their albums - moody, eerie beats and a cinematic, widescreen sound - with that extra bit of polish which goes a long way to explaining their continuing appeal, despite their famed "relaxed" album released schedule.

A master-class in tension and release, both musically and visually, and a hugely impressive - and appreciated - return.


This review originally appeared in VOLUME magazine issue #011

Read the interview with Adrian Utley of Portishead here.

Review: Mark de Clive-Lowe 'Renegades'













MARK DE CLIVE-LOWE
Renegades
[Tru Thoughts]

Uncompromising. That's the first word I'd choose in describing Mark de Clive-Lowe's approach to music making. Over a career which spans nine solo albums and countless collaborations across the globe, MdCL has developed and delivered a style which has become all his own; and while he may have a new label (Tru Thoughts), that uncompromising approach remains on his latest album, Renegades. Running the gamut of his preferred genres, with a heavy emphasis on contemporary funk, hip hop and broken beat, Renegades displays a consistent thread from go to whoa, giving guest vocalists Omar, Bembe Segue, Tawiah, Sandra Nkake, Ovasoul7 and Nia Andrews plenty of space to deliver compelling performances. Andrews is the standout, appearing on three of the best cuts here: We Renegades, with its crunchy head-nodding lope; the loose-limbed, jazz-tinged Hooligan; and the future-soul bounce of The Why. MdCL's love for working with like-minded, virtuosic musicians remains strong, with percussionist Sheila E. (Prince), bassist Pino Palladino (D'Angelo, The Who) and string master Miguel Atwood-Ferguson also among the guests. Despite the superstar line-up though, the songs are more than good enough to stand up, marking Renegades as MdCL's best work since Tide's Arising - and maybe even his best yet.

4 stars from 5

Check out a preview of Renegades here...

10 November 2011

Review: J-Rocc 'Some Cold Rock Stuf'












J-ROCC
Some Cold Rock Stuf
[Stones Throw]

"Brilliant! More awesome driving music!" That was the first thought that crossed my mind when this album appeared before me. I'm a long-time fan of Stones Throw, and I've found many of their releases, particularly those by Madlib and J Dilla (J-Rocc has worked closely with both) best suit being listened to at a high volume while driving. Surprisingly, when you consider the length of time J-Rocc has been around - he founded the turntable crew Beat Junkies in 1992 - Some Cold Rock Stuf is his debut artist album. Unsurprisingly, it's a diverse and challenging listen, with a dramatic, widescreen scope spread across flavours which range from Bollywood-styled party beats to treacle-thick hip hop. His turntablist abilities are on point, and an array of spoken word samples provide a kind of otherworldly narrative on an otherwise largely instrumental album - and also show J-Rocc has a healthy sense of humour. Let's roll!

3 and 1/2 stars from 5

Check out Play This (Also) here...

09 November 2011

Review: Funkommunity 'Chequered Thoughts'













FUNKOMMUNITY
Chequered Thoughts
[FMG/Universal]

Chequered Thoughts is the debut album from Funkommunity, the brainchild of musician, songwriter and producer Isaac Aesili (Opensouls, Solaa) and vocalist/songwriter Rachel Fraser (Recloose, Sola Rosa); who first collaborated on I'm All In, the standout track from Aesili's excellent solo debut album Eye See. Soaked in future soul and funk, Chequered Thoughts treads a similar path to the likes of Electric Wire Hustle and Platinum Pied Pipers. The key difference is provided by Fraser: while her voice isn't technically amazing she has soul and gravitas, recalling old school jazz divas with her ability to draw listeners into the heart of songs; songs which are cleverly constructed, showing the kind of deft touches which belie Aesili's prolific musical experience over the years. Squelchy basslines and wobbly beats underpin bubbling keys and washes of horns and harmonies, while Fraser's voice ties it all together on what is an assured and accomplished debut.

4 stars from 5

Check out more from Isaac Aesili here...

05 November 2011

Playlist: Expansions with 90 "All 7" Vinyl Selection Special"











Nightmares On Wax | Flip Ya Lid
Bob Marley & The Wailers | Buffalo Dub
Roots Manuva | Witness (Drums Of Death remix)
Red | I Should Tell Ya Momma On You
Red | I Should Tell Ya Momma On You (Dam-Funk remix)
Timothy McNealy | Sagittarius Black
Diplodocus | Thingamajawn (Birney Elementary version)
Sugar Pie Desanto | Git Back
Orgone | Duck & Cover
Myron & E with The Soul Investigators | It's A Shame
Fabulous Souls | Take Me
Big Pimp Jones | The Smokeout
LA Carnival | Blind Man
Sharon Jones & The Dap Kings | How Long Do I Have To Wait For You?
Kylie Auldist | Made Of Stone
Opensouls Presents Tornadoes with Tyra Hammond | Huihui
Sunlightsquare Latin Combo | I Believe In Miracles
Kool & The Gang | Dujii
Tuomo | Don't Take It Too Hard
Breakout | Planet Rock (Pt. 1)
Aiff | Watergirls
The Haggis Horns with John McCallum | Hot Damn!
Coke Escovedo | I Wouldn't Change A Thing
The Brothers Johnson | Stomp
The Isley Brothers | That Lady (Pt. 1)
Natalie Cole | Sophisticated Lady (She's A Different Lady)
Ohio Players | Fire
Average White Band | Pick Up The Pieces
Sly & The Family Stone | Family Affair
Stevie Wonder | Too High

01 November 2011

Interview: Thom Powers & Alisa Xayalith from The Naked and Famous





NAKED AMBITION

Yeah, Yeah, Yeah, Yeah. Words which propelled The Naked and Famous into the ears and record collections of tens of thousands of New Zealanders. The huge chorus of that song struck a chord further afield than our shores too. After a year playing shows around the world, and on the eve of what looks set to be a successful return to our shores, front-folk Thom Powers and Alisa Xayalith sat down for a yarn with VOLUME about tall poppies and living up to the hype.

"I feel privileged and a little confused as to why it's worked out for us," says Powers.

"We never really thought things would get this grand, to the scale of what it is," agrees Xayalith, "Or we didn't think it would happen for us this year!"

It's certainly been a rapid rise for the five-piece. The single Young Blood went straight in at number one on the New Zealand charts and earned the band a coveted Silver Scroll Award. The debut album Passive Me, Aggressive You was also a number one, and the group have received six nomintions at the 2011 NZ Music Awards. They've spent the last year performing shows throughout Europe, and at major festivals like Reading, Leeds and Glastonbury. They're currently in the US, where they played the famous Lollapalooza festival, gathering some famous fans along the way.

"I don't know of any greater achievement that when people who have inspired me say that I've inspired them," says Powers, recalling recent tweets from Mark Hoppus (Blink182) and Danny Lohner (Nine Inch Nails, A Perfect Circle), "I grew up listening to those bands, walking around brooding to them at high school, and here's this guy saying 'dude, it's awesome'. It's those kinda moments you just get stopped in your tracks."

"I mean, I had my sights set on the bFM Top Ten," he recalls, "And we did that and then it just snowballed from there. Now it's to the point where things are happening for us that we had no ambition for. Sometimes we have to work out what it is and sometimes it's just whatever, let's not be too pretentious about this. If we can reach anyone - it doesn't really matter what the avenue is - if we can convert someone to be a fan of our band then that's great."

Some in the scene here in New Zealand bandy about the term 'overnight success', and there's a feeling these opportunities have come to you too easily. Do you think that's fair?

"Nah," says Powers, pointedly, "I don't know how anyone could say that."

"Sometimes it can annoy me," says Xayalith, "It reminds me how much New Zealand can be a goldfish bowl and people just get caught up in that very small town mentality."

"The tall poppy thing in New Zealand seems kinda cute to me now seeing how the rest of the world works," agrees Powers.

"If you want to put it in simple terms," continues Xayalith, "Somebody liked our music and wanted to take it to the rest of the world. We got our big break with someone from overseas fell in love with Young Blood and we got plucked out of New Zealand, and that was more than we could hope for."

Do you feel pressure to create a "Young Blood Part Two"?

"I've always been thinking about that and the challenge really excites me," enthuses Powers.

"And Thom's so good, so driven, he can write anywhere.He does little bits here and there every day," explains Xayalith, "We've already got a lot of songs built up and I know there are some really good ones in there."

"We've met bands who can't write on tour," says Powers, "And we're going 'wow, we're really a little further ahead here'."

Part of the reason the band have moved ahead so quickly is their crack management team.

"What happens behind the scenes is a large part of why bands get out of bed in the morning," says Powers, "Paul and Campbell at CRS have helped us out in more ways that I can even remember. They're like surrogate fathers!"

"We also have a great record label," adds Xayalith, "When Fiction Records heard our album they didn't want to change anything. They knew we had a very strong vision of what we were, and they really respected that. I think that's what a lot of bands need to have these days if they want to be able to survive - they need to have a strong vision of their own."

Almost a year to the day since the band showcased their vision, performing their lauded debut album, they're returning to our shores to play at the Music Awards and the Auckland Town Hall. What's changed in the live show since we saw you last?

"The touring live band we've become is something I don't think we would ever have had an opportunity to become in New Zealand," says Powers, "But nothing's really changed. We're still showcasing an album that we feel very confident about and proud of."

"I remember going to see my favourite bands and hearing the songs in all their glory, so to speak, and it just felt like such a privilege and such a pleasure," he explains, "You had this expectation of wanting to hear your favourite songs, and your expectation gets blown away because it's just so fucking loud!"


This interview originally appeared in VOLUME magazine issue #009.

Live: STRUT with Jay Jeffrey & 90













STRUT
With Your Hosts
JAY JEFFREY & BRO 90
Good Time Soul, Funk, Boogie and Rare Grooves
Old School Vinyl Records Selected With Love
At JULEP
From 10pm
Sat 5th November
No Cover Charge

30 October 2011

George FM Playlist Sun 30 Oct "In The Pocket"













Loose Ends | Hanging On A String (Contemplating)
Tom Browne | Come For The Ride
Unlimited Touch | Love Explosion (Recloose Hit It & Quit It edit)
Incognito | Summer's Ended
Roy Ayers | Evolution
Mouzon Electric Band | Everybody Get Down
Lil' Louis | I Called You Why'd You Fall (Moton edit)
Change | Searching
Kabbala | Yo Yo Dance
Escort | All Through The Night
Jonzun Crew | Space Is The Place
Gwen Guthrie | Seventh Heaven
Nightcrawlers | Push The Feeling On (extended version)
Donald Byrd | Dominoes
Feel | I'd Like To
George & Glen Miller | Touch Your Life

26 October 2011

Review: Superheavy 'Superheavy'













SUPERHEAVY
Superheavy
[Universal]

Superheavy is the self-titled debut album from an unlikely grouping of genuine music superstars - Mick Jagger (Rolling Stones), Dave Stewart (Eurhythmics), Damian (son of Bob) Marley, Joss Stone and Indian performer/composer A.R. Rahman. Self-described as "a mad alchemist type experiment", SuperHeavy seems to aim to please everyone, with its open-handed approach to blending Western-styled rock and soul, reggae music's rhythmic pulse and the spiritual ound of Indian and Middle Eastern influences - but, as the old saying intones, you can't please all of the people all of the time. The main problem with this album is SuperHeavy seem unsure as to who they're appealing to. Reggae fans won't be impressed with Jagger's snarling, while Marley's patois-inflected toasting will be a stretch too far for Stones fans. At their best, SuperHeavy is a fun romp; but at their worst, they sound like they're rehashing Live Aid, and that's neither super not heavy.

2 and 1/2 stars from 5

(Originally printed in the Waikato Times)

24 October 2011

George FM Playlist Mon 24 Oct "In The Drive Pocket"












World Champions Drive

Jean Claude Gavri | Les Dance
Dez Andres | As We Rock On
Seductive Souls with Donald McCullum | Disco Jazz (Patchworks remix)
Legacy | Word Up
Drop Out Orchestra | Release Myself
Baja Domitia | Gangsta Party
40 Thieves with Qzen | Don't Turn It Off (Greg Wilson edit)
Yuksek | On A Train (Magician remix)
Two Door Cinema Club | What You Know (Redlight remix)
Kele | Tenderoni
Calvin Harris | Feel So Close
PNAU | Solid Ground (Adrian Lux remix)
Sanchez Last Stand | Done With You
Holy Ghost! | Hold On (Blackjoy remix)
Recloose with Dwele | Can't Take It (Milton Jackson remix)
Jay-Z & Kanye | Otis (A-Skillz remix)
Ron Basejam | Is The Word
Crazy P | Sun Science
Lette Mbulu | Kilimanjaro (The Revenge edit)
Eva Gina | Mandinga
Jayl Funk | Piece Of Mine
Lunatics | Vent (Matty Blades remix)
Editorial | Uptight (Space Disco Fix)
Ben Westbeech | Something For The Weekend
Jamiroquai | Cosmic Girl
Louis La Roche with Ad-Apt | Missing You
The Chemical Brothers with Wayne Coyne | Golden Path
The Awa Band with Tony Allen | Bababatteur (Quantic remix)
Linkwood Family | Miles Away

George FM Playlist Sun 23 Oct "In The Pocket"













Erykah Badu | On & On (Leo Zero remix)
Breakage with Roots Manuva | Run 'Em Out
Trinity Roots | Call To You
The Roots with Erykah Badu | You Got Me
Fat Freddy's Drop | Ray Ray
Al Green with John Legend | Stay With Me (Max Kane Slump)
Milez Benjamin | Chop That Wood
Blackstreet | No Diggity (B.Cause Sick Wit This blend)
Flevans | Lay Back (Regal remix)
Hot 8 Brass Band | Sexual Healing
The Illphonics | One Of Those Days
Lord Echo with Lisa Tomlins | Thinking Of You
The Black Seeds | Cool Me Down
PM Dawn | Set Adrift On Memory Bliss
Livingstone & Canosis | Walk On The Wild Side (edit)
Brother 2 Brother | Chance With You (Stickypod Connection re-boot)
Funk Ferret | Whole Loada Shizzle
Wick-It The Instigator | Rolling In The Fire
Dave Dobbyn with Herbs | Slice Of Heaven

20 October 2011

Review: Bella Kalolo 'Without The Paper'













BELLA KALOLO
Without The Paper
[Bella Sounds]

There's something about Bella Kalolo's debut solo album Without The Paper I just can't quite put my finger on. It's not the part-Samoan, part-Tongan, part-Maori songstress' velvety voice, which drapes itself languorously over mellow soul as srikingly as it tears through heavy funk stylings. It's not The Soul Symphony, the crack backing band - whose number includes master drummer Darren Mathiassen (Trinity Roots, Hollie Smith) and Bella's husband Alistair Isdale - as they're skin-tight and razor-sharp throughout. And it's certainly not her pedigree, as Bella recently performed at Glastonbury and has worked extensively as a vocalist for the last ten years performing and/or recording with Don McGlashan, Dave Dobbyn, Fat Freddy's Drop and Nathan Haines, among many others. Ultimately though, what lets the album down is the song writing, as too many of these tracks sound too derivative for Without The Paper to be anything other than a solid, but enjoyable debut.

2 and 1/2 stars from 5

19 October 2011

George FM Playlist Wed 19 Oct "Play It All Back In The Pocket"













Hello all. Filling in today for Roger Perry, covering his Play It All Back show. 'Twas fun, even on a moody midweek day such as this.

Ben E. King | Street Tough
George Duke | Shine On (Late Night Tough Guy edit)
Dianne Marie | I've Waited Much Too Long (Frico edit)
First Choice | Love Thang (edit)
Gap Band | Baby Boogie Baba (Noodleman's Chop Shop edit)
Patrick Cowley | Get A Little (extended version)
Blackwell | Boogie Down & Mess Around
Tiger & Woods | Gin Nation
Gazeebo | Shake Those Hips Bitch
Area Social | The Blow Is Back
Nigel Martinez | Better Things To Come (Ashley Beedle's Heavy Disco edit)
Digital Emotion | Get Up Action / Do You Wanna Funk? (Drop Out Orchestra edit)
First Choice | Let No Man Put Asunder (Ron Hardy edit)
Donna Allen | Serious (Rayko edit)
The Jungle Brothers | I'll House You (Rayko edit)
Angela Bofill | People Make The World Go Round (Seegweed edit)

17 October 2011

George FM Playlist Sun 16 Oct "In The Pocket"










Moodymanc | Black Paint (Larry Heard mix)
Miguel Migs with Aya | Don't Stop
Juan Atkins | Dayshift (Oliver's Nightshift remix)
Crazy P | Sun Science
Bah Samba with The Fatback Band | Let The Drums Speak (Phil Asher remix)
U-Tern | Amy's Missing (DCUPS edit)
Cassius | Cassius 99 remix
U-Tern x Drake & Lil' Wayne | Style Class Flair (Emynd "Money To Blow" blend)
MC Mellow Dee | And You Don't Stop (True School mix)
Carter Bros | Full Disco Jacket
Harvey Mason | Groovin' You
Heatwave | Boogie Nights (Slynk re-edit)
Fries & Bridges | Forever This
Jamiroquai | Emergency On Planet Earth (Masters At Work remix)
Harold Melvin | Bad Luck (Dimitri From Paris edit)
Don Ray | Got To Have Loving
Me&You | How Can I Hold You When Your Body Keeps Moving?
Marvin Gaye | Heard It Through The Grapevine (Rob Tex remix)
Ben Westbeech | Something For The Weekend

15 October 2011

George FM Playlist Fri 14 Oct "Key To 90's Pocket"













Always a pleasure, never a pressure - covering for Bevan Keys on George FM today...

Crazy P | Open For Service
Sleazy McQueen | Troutman Street Roller Disco
Five Special | Why Leave Us Alone (Larry Levan remix)
Fever | Dreams & Desire (Jim Burgess remix)
The Salsoul Orchestra | 212 North & 12th
Status IV | You Ain't Really Down
Ron Richardson | Ooh Wee Babe
Vaughan Mason & Crew | Jammin' Big Guitar
Zapp | Itchin' For Your Twitchin'
Jermaine Jackson | Erucu (AC edit)
Totalcult | Disco Call
Rayko | Getting Down
Odyssey | Going Back To My Roots (Fingerman's Maximum Fonk edit)
First Choice | Love Thang
Al Green | Piece Of Mine (Jaylfunk edit)

13 October 2011

In The Pocket Mixtape Vol. 1












An all-live, one take, continuous mix from yr Bro 90 aka Nyntee, assembled with Sunday afternoons in mind. From Aloe Blacc to Leroy Hutson, from Jean Knight to Jamiroquai, no stone is left unturned in helping you tune in, turn on and chill out.

Just click here.

Tracklist:
Aloe Blacc | Billie Jean (live)
Al Green with John Legend | Stay With Me (Max Kane Slump)
Bebel Gilberto | Baby (Yam Who? Uptown Jazz Safari mix)
Marvin Gaye | Sexual Healing (Simon's Dark Keys remix)
Ike & Tina Turner | Livin' For The City
Jean Knight | Mr Big Stuff (Frico edit)
Bo Kirkland and Ruth Davis | We Got The Recipe
Raphael Saadiq as Ray Ray | I Know Shuggie Otis
Cardell Funk Machine | Shoot Your Shot
Sly & The Family Stone | If You Want Me To Stay
Azymuth | Dear Limmertz
Checker Kabb | By My Side
Snooky | Ease The Pain
T-Connection | Do What You Wanna Do
Jamiroquai | Alright (Frico edit)
Keni Burke | Risin' To The Top
Huba | Mary
Leroy Hutson | Cool Out

11 October 2011

Review: Dennis Coffey 'Dennis Coffey'













DENNIS COFFEY
Dennis Coffey
[Strut]

Don't call this a comeback, he's been here for years. Detroit guitar legend Dennis Coffey's raw and funky playing can be heard on a roll call of seminal songs - The Temptations' Ball Of Confusion and Cloud Nine, The Sylvers' Boogie Fever, Edwin Starr's War, Freda Payne's Band Of Gold, among many, many others - as Coffey was a member of the original Motown Funk Brothers' backing band, popularising a heavy, funky guitar sound. But this self-titled set for Strut is no old timers' get-together: guests include Mayer Hawthorne, Mick Collins (The Dirtbombs) and Fanny Franklin (Orgone), and Coffey stylishly leads a crack band through a dense selection of new material and hand-picked covers (from The Parliaments and Funkadelic to 100 Proof Aged In Soul and more). The funk and fuzz levels are set to high, with a swirling, soulful psychedelica permeating most tracks. A rare treat from one of the originators.

3 and 1/2 stars from 5

George FM Playlist Tue 11 Oct "Free Range"













I sat in on Free Range this morning, covering for the big man, Soane. Considering the muggy and foggy day we were endowed with today, I had more fun than should reasonably be expected!

Hot Toddy | Late Night Boogie
The Haggis Horns | The Traveller (Pt. 2)
Crazy P Present The Syndromes | The Hit
Starsgarage | The Massage
Mid-Air | Ease Out (The Revenge edit)
Fat Freddy's Drop | Ray Ray (Slope remix)
Slynk v Ed Solo | I Wish
Recloose with Joe Dukie | Dust
Outkast | Spottieottiedopalicious (DJ Angola edit)
Spectral Display | It Takes A Muscle (Crucial Three edit)
Louis La Roche with Ad-Apt | Missin' You
Robyn v The Cure | Close To Konichiwa Bitches
Chromeo | Hot Mess (Oliver remix)
Ben Westbeech | Something For The Weekend
Lewis McCallum with Tama Waipara | Way We Live
Philly Blunt | Love California
Funk Ferret | Fonky Magnum

10 October 2011

George FM Playlist Sun 9 Oct "In The Pocket"













TY | Music 2 Fly 2
Choklate | Bigger Than You
Gotye | State Of The Art
The Players Union | All Green
Roy Ayers | We Live In Brooklyn Baby
Daz | Inside My Love (Daz Inside My Filter rework) (Get Down edit)
Killer Funk Disco Allstars | Look! A Van Gogh! (Good Groovin' edit)
Daz | Far Beyond (Get Down edit)
Rockers Revenge | Dubbing In Sunshine
Stephanie Mills | Put Your Body In It
Crown Heights Affair | Dream World
Crazy P | Bumcop
Gladys Knight & The Pips | Bourgie Bourgie
Heaven Sent & Ecstasy | I'm A Lady (LeBaron edit)
The Players Association | Turn The Music Up!
Cindy Rodriguez | What You Need Is My Love (Disco Tom edit)
Michael Henderson | Wide Receiver (Pt. 1)
Oliver Cheatham | Get Down Saturday Night

06 October 2011

Interview: Adrian Utley of Portishead


















WHERE'S YOUR HEAD AT?

It's been 14 years since Portishead last performed in New Zealand - which seems reasonable considering there were 10 years between their second and third albums. Alongside Geoff Barrow and Beth Gibbons, Adrian Utley forms the core of the famed group. He had plenty to tell VOLUME about the band's beginnings, their forthcoming shows, and how they stay sane in the music business.

"I have really fucking had enough of this!" Adrian Utley was over it.

He'd been playing guitar since hearing Hendrix's Axis: Bold As Love, he'd kicked off a career in music in the mid-'70s, playing in country and western bands, British holiday camps, jazz groups and with legends like Jeff Beck and Big John Patton.

Utley was a noted session musician, a virtuosic guitar-slinger for hire, and he'd reached the end of his tether.

In stepped a young Geoff Barrow: "Geoff was working as a tape operator - which really meant making loads of cups of tea for the bands and engineers - and he sampled a band I'd played in," says Utley of his first meeting with his future band mate, "I heard him messing about with it, and introduced myself."

"He was 19 and I was 30. We were both listening to A Tribe Called Quest, Black Sheep and electronic avant-garde music, but while most of the people in my life were respectful of my desire to hear hip hop, they didn't like it," chuckles Utley, "But Geoff and I were as obsessed with Public Enemy's It Takes A Nation Of Millions as we were with making new sounds, so I was like: 'There's a new door here'."

The Portishead story is well-told: this 'new door' opened to worldwide fame as their 1994 debut album Dummy sold like hotcakes pretty much everywhere, winning the prestigious Mercury Music Prize and essentially breaking the band in the US even before they'd toured there. Dummy is rightly considered a classic, and in 1997 their self-titled follow-up cemented them as a big deal. Then, nothing. Well, sort of nothing, as the band disappeared from public view for the best part of seven years.

So, did Portishead split up? "No!" Utley exclaims, "We'll never split up! We'll always make music together, but at that point we just didn't want to do it anymore. I mean, we wanted to play music together, but the experiences we'd had, particularly in touring the Portishead album, affected the level of expectation on us," he says, referring to a combination of "pressure, press and misquotes".

"Don't get me wrong; I've played my whole life in shitty dives so I'm grateful for Portishead, The thing is, we care very much about the music and getting it across, but our home lives had fallen apart and it got so intense, so we just couldn't keep going."

Portishead played a scattering of shows in the mid-2000s before releasing the aptly-titled Third in 2007, which quickly silenced the doubters and was embraced as a worthy addition to their small but highly regarded catalogue.

Now, they return to our shores - what can we expect from the show? "We'll be playing the old tunes and loads of stuff off Third. We've got some very cool visual stuff going on, and we've worked very hard as a band to be able to play 90% of everything you'll hear live, with only a few samples," Utley enthuses. "Though it sometimes feels a little like a house of cards, it's exciting and gives us the opportunity to really cut loose. We're looking forward to it immensely!"

I press him again on how long this all might last this time - is this the 'final hurrah' for Portishead? Or can we expect another album, eventually? "Nowadays we really just play together when we want to," says Utley, "I don't mean to sound conceited about it - I mean, we've all got kids now - and we don't want to thrash ourselves anymore. Plus we've all got other projects on the go, and we've found that working with people outside of the group breeds enthusiasm for writing more Portishead songs, so we're all excited about working on the new album when we're home from the tour."

That grounded attitude must have helped hugely in dealing with the level of success Portishead has enjoyed. "Definitely. We all lived in Bristol when we started - and mostly still do - you know, we didn't all move to London and change the way we live. We didn't all suddenly come swishing into the studio wearing cowboy boots - none of us would've let the others get away with it!"

Trip Hop: The Birth Of A Movement. Or Not.

"They're just words, aren't they?" Adrian Utley is talking about 'trip hop'.

Alongside Massive Attack and Tricky, Portishead are considered originators of the sound, or at least responsible for popularising it.

"People need a vocabulary to describe music," he says, "but it is weird. And while there were lots of bands who got in on that sound, I thought they came at it the wrong way."

"Portishead were influenced by hip hop, electronic and avant-garde music, but we were always reaching for something new," Utley says of he and Geoff Barrow's early endeavours, "We came to this music from trying new things; putting the drums through shitty little amps but throwing really fucking heavy guitars on there."

"I guess us, Massive and Tricky were on a similar tip, but we never intended there to be a movement; we never shared what we were trying to do with those guys," he says, "I mean, one time we were recording in a studio in Bristol and we knew Mushroom [of Massive Attack] was in another studio down the hall, so we went to say hello. When we walked in the door, he pulled down all the faders and turned the computer monitors off!"


This interview originally appeared in Volume Magazine Issue #005, 4th October 2011.

Read the live review of Portishead's 2011 NZ show here.

05 October 2011

Review: She's So Rad 'In Circles'













SHE'S SO RAD
In Circles
[Round Trip Mars]

Musical Chameleon. That sums up Jeremy Toy beautifully. The Opensouls' guitarist/songwriter has had his hands in many musical pies over the years - producing Hollie Smith's debut album, playing with local punks Sommerset and crafting wonky hip hop in his solo guise, Ota. For She's So Rad he has linked with Sami Sister Anji to add yet another style to his arsenal: shoegaze. Hazy indie rock informs much of their debut album In Circles, with beautifully bruised pop songs layered heavily with dreamy guitars, washed out vocals and dense, swirling atmospherics. Reference points include Ride, The Charlatans and Toro Y Moi, but mostly you'll hear a modern take on the Dunedin Sound, particularly the excellent Jean-Paul Sartre Experience. Guests include Julien Dyne, James Duncan and Nick Gaffaney, but In Circles mostly serves to illustrate that Jeremy Toy is fast growing into one of this country's true musical treasures. Very impressive indeed.

4 stars from 5

03 October 2011

George FM Playlist Mon 3 Oct "Groovadelica"












The Roots with Erykah Badu | You Got Me
Mitsu The Beats with Dwele | Right Here
Bebel Gilberto | Baby (Yam Who? Uptown Jazz Safari)
Dam-Funk | Hood Pass Intact
Brother2Brother | Chance With You (Stickypod Connection reboot)
Beatfanatic | Electromagnetic Colours
Amp Fiddler | Superficial
Miguel Migs with Evelyn "Champagne" King | Everybody
Rockers Revenge | Walking On Sunshine (Greg Wilson edit)
Los Charly's Orchestra | Rio Chico's Sunset
Kano | Don't Try To Stop Me
Slippery People with Leroy Burgess | Sweet Thing
Sanchez Last Stand | Done With You
Dennis Coffey with Mayer Hawthorne | All Your Goodies Are Gone
Am Ko | Just Chillin' Out
Sleazy McQueen | Oh Sheila (2 Spare Astronauts remix)
Drop Out Orchestra with Kinema | All The Time We Need
Corsican Brothers | Break You Off
Zapp | It Doesn't Really Matter

George FM Playlist Sun 2 Oct "In The Pocket"










Bobby C Sound TV | Boom For Rent
Funk Ferret | Whole Loada Shizzle
Slynk | Everyday Poppa
Marvin Gaye | Just Like Music (Eric Sermon remix)
Nel Oliver | Dream On (The Revenge edit)
Latyrx | Lady Don't Tek No
Blendcrafters | Melody
Raphael Saadiq | Skyy, Can You Feel Me?
John Legend & The Roots with Black Thought | Hard Times
The Avalanches | Since I Left You
RSL | Wesley Music
Kora | Flow (Crazy P remix)
PBR Streetgang | J2ThaB
Greg Wilson | C'mon (You Can Get It)
Norman Connors | Once I've Been There
Sharon Redd | Never Give You Up
Evelyn "Champagne" King | If You Want My Lovin' (Jay J edit)
Dez Andres | A Time To Boogie
Spanky Wilson & The Quantic Soul Orchestra | Waiting For Your Touch (Domu remix)
Uptown Funk Empire | Good Time (Bye Bye Mr Dynamite)

26 September 2011

Review: Gilles Peterson 'Masterpiece'













Various Artists
MASTERPIECE
Compiled by GILLES PETERSON
[Ministry Of Sound]

Sometimes I wonder if I'm getting old. Listening to compilations like these, which blend together rare gems and classic old tracks with fresh new and cutting edge compositions only serve to make me feel older. Almost to a track, I prefer the classics; the Roy Ayers, Terry Callier and Freeez side of the selection, to the of-the-moment clattertronica of Kode9 and Spaceape. As it stands, you can rely on Gilles Peterson to please pretty much all of the people all of the time, and he has done exactly that once again on this Masterpiece collection, put together for Ministry Of Sound. With 49 tracks spread across three CDs, and tracks including SBTRKT, Four Tet and Scuba for the young bucks and Tom Browne, Young Disciples and Teena Marie for us older folks, there are plenty of reasons to add yet another Gilles Peterson-selected compilation to your collection. Essential, as usual.

4 from 5 stars

More Gilles Peterson reviews:
Gilles Peterson Presents Worldwide
Gilles Peterson In Brazil & Africa

George FM Playlist Mon 26 Sept 2011 "Groovadelica"













Stepped into Jason Eli's shoes today covering his Groovadelica show on George. Am still feeling "a bit dusty" from a very big weekend. The tunes were the perfect tonic.

The Fatback Band | (Are You Ready) Do The Bus Stop
Cazbee | Get On Up (Cazbee's Did It Again edit)
Los Charly's Orchestra | Music For The Soul
Deadly Sins | Instant Dub (Dolce Gusto)
Touchsoul | Give You More (edit)
Skipworth & Turner | Thinking About Your Love (Koko Garito edit)
Kora | Flow (Crazy P remix)
Guru with Erykah Badu | Plenty
Stevie Wonder | Superstition (Jay "Dusty" Smith remix)
The Dynamics | Miracles
Electric Empire | Baby Your Lovin'
Grandmaster Flash | The Message (Roots Manuva remix)
The Skull Snaps | It's A New Day (Redux)
Anthony Mansfield | Son Of Zeus
Jean Claude Gavri | Flight 106 (Analog Synthology Trip)
Jayl Funk | Funky Song
Angela Bofill | People Make The World Go Round (Seegweed edit)
Drop Out Orchestra with Kinema | All The Time We Need

George FM Playlist Sun 25 Sept 2011 "In The Pocket"













I, Ced with Coultrain | Love... Meaning
Cherie Mathieson | 88 Days
James Brown & Earl Falconer | Traffic
One Funky Soul | Bless You
Livingstone & Canosis | Walk On The Wild Side
Jazzanova with Paul Randolph | Let Me Show Ya
The Impossibles | Give It Up
State Of Grace | That's When We'll Be Free (Eric Matthews mix)
Gotye | State Of The Art
Dennis Coffey with Mayer Hawthorne | All Your Goodies Are Gone
Guardian Angel | Last Funk
Gap Band | Baby Boogie Baba (Noodleman Chop Shop rework)
Syrup | Chocolate
Dil Jackson | Make Me Feel
Guru with Erykah Badu | Plenty
Zapp | Computer Love
Oneself | Fear The labour
Leena Conquest | Boundaries
PPP with Tiombe Lockhart | I Got You

24 September 2011

Radio Ponsonby Playlist Fri 23 Sept 2011 "Expansions"









TY | Music 2 Fly 2
Roy Ayers | Liquid Love
Gotye | State Of The Art
Ben E. King | Street Tough
Scrimshire | Long Time
Clausel | Let Me Love You (DJ Anonymous edit)
Love Unlimited | Move Me No Mountain (Bydesign rework)
Leena Conquest | Boundaries
Bo Kirkland & Ruth Davis | We Got The Recipe
Tom Browne | Come For The Ride
Dennis Coffey with Mayer Hawthorne | All Your Goodies Are Gone
Teena Marie | Portuguese Love
Byrdie Green | Return Of The Prodigal
Freeez | Southern Freeez
First Choice | Let No Man Put Asunder (Ron Hardy remix)
Odyssey | Going Back To My Roots (Fingerman's Maximum Fonk mix)
Incognito | Summer's Ended
Tata Vega | Get It Up For Love
Zapp | Itchin' For Your Twitchin'
Gap Band | I'm Ready
Boz Scaggs | Dirty Lowdown (Dave Allison remix)
Miguel Migs with Evelyn 'Champagne' King | Everybody
George Duke | Shine On (Late Night Tough Guy edit)
Outkast | Spottieottiedopealicious (DJ Angola re-rub)

22 September 2011

Live: Trusted Friends at Barrio













Barrio & It's All Good present
TRUSTED FRIENDS
With SWEETPANTS & NYNTEE
And special guest JAY JEFFREY
From 8pm 'til late, Sat 1st Oct
At BARRIO

20 September 2011

Interview: Arthur "Artwork" Smith of Magnetic Man




















MAGNETIC ATTRACTION

You're there at the birth of a brand new strain of sound. A number of your subsequent tunes are now considered classics of the genre. So can you really blame Magnetic Man for wanting to get paid?

Magnetic Man is the Cream of the post-dubstep generation.

The supergroup is made up of three British producers - Adegbenga "Benga" Adejumo, Oliver "Skream" Jones and Arthur "Artwork" Smith - who, via Sony's Columbia Records, released their self-titled debut album late last year to a rapturous response.

Well, sort of.

Prior to the release of the album Magnetic Man was already well established as a fiercely exciting live act, pulling ever-increasing numbers of punters to their full-on sub-bass-and-lights onslaughts. The album though, was a game-changer. Thanks to the Top 10 single I Need Air (featuring dubstep's pin-up girl Katy B), Magnetic Man were catapulted into the ears of plenty of people who'd never even heard dubstep before.

The problem was the fans who'd been there from the start; the fans who went to the early club-nights, who bought and continued buying the records and supporting those producers and DJs who were laying the groundwork for what would become dubstep. Not only do a large number of these fans not like what Magnetic Man are doing, there's conjecture as to whether it should even be called 'dubstep'.

Artwork reads those forums and he's got an opinion, alright: "Is dubstep just this music from this club at this time? Does it have to stay this way forever? Benga, Skream and me have been friends for 10 years and working together for five or six, and now we want to push it on to the next level."

Before we talk next level, though, let's rewind to the foundations.

Back in Croydon in the late '90s, Benga and Skream began hanging out at Big Apple Records, a shop which started out selling techno and rave, but which was also deeply in tune with the emerging garage and two-step scene. Above the shop was a recording studio owned and operated by Artwork.

"These kids were 14, 15 years old," recalls Artwork, "And they were making beats in Playstation PS1's, and I was like 'What the fuck is this? How did they do that?' 'cause it was mad, right?" Recognising their raw talent, Artwork took Benga and Skream under his wing and into his studio.

In 2001 the club night Forward launched in London, giving this new music another vital platform. As Arwork remembers it: "Coki, Horsepower, Benny Hill, N Type, Loefah were there at the start, but it was really Hatcha. He was DJing at Forward, and he wanted to play darker tracks, with less beats. Like, it was initially his attempt at two-step, but with dub, so Hatcha called it dubstep, and it grew from there."

So far, so good. Artwork, Benga and Skream signed to Big Apple Records, recorded the label's first three singles and broke boundaries as soon as they were established. There were successful artist albums and the big singles got bigger and bigger - Benga and Coki's Night, Skream's Midnight Request Line and then the worldwide crossover hit remix of La Roux's In For The Kill. "Things had been going well for us, and we wanted to keep going," says Artwork.

"Anyone can make beats, but we've always loved songs, the emotion, the lyrics, the melody, giving a great performance - and with Magnetic Man, we wanted to experiment with that. It did feel like going out on a limb, but we said 'What do we want to do? What would we want to listen to?' Sure, we want as many people as possible to hear it, but that's because this is the music we love."

They're not alone. From those early anonymous shows to 50 punters to performing for 15,000 people at outdoor festivals like Roskilde, Magnetic Man have become the definition of dubstep for many. Perhaps that's what irks those early adopters?

"If you think we're only about I Need Air, then listen to our album: there's proper nasty dubstep, and orchestral stuff. At our shows we play our new stuff, and that connects anywhere in the world. We've got plenty of bangers, and we play some real dark stuff too, from Benga's old stuff, Skream's old stuff. This is dubstep, man, but it's really just good music, there's no agenda," he pauses, then adds: "And if you don't like it, then fuck off."


This interview was originally printed in issue #003 of Volume Magazine, 20 Sept. 2011


DUBSTEP.101
From the underground to the mainstream - a timeline in a nutshell

Underground. Croydon. Garage. Two-step. Grime. Drum & Bass. Dub. White Label. Bass Drop. Ketamine. Big Apple Records. Ammunition Promotions. Forward aka FWD>>. Velvet Rooms. Soho. Kode9. Hatcha. Artwork. El-B. Youngsta. Zed Bias. Oris Jay. Steve Gurley. Slaughter Mob. Jay Da Flex. Slimzee. Tempa. Horsepower. XLR8R. Rinse FM. Dubstep Allstars. Filthy Dub. Digital Mystikz. Mala. Coki. Benga. Skream. Plastician. Plasticman. Distance. N Type. Walsh. Chef. Cyrus. MC Sgt Pokes. MC Crazy D. John Peel. BBC. DMZ Records. Brixton. Mass. Sublow. 8-Bar. Eskibeat. Midnight Request Line. Mary Anne Hobbs. Dubstep Warz. Children Of Men. Burial. Joe Nice. Goth-trad. Hyaku-mado. Enna. Doppelganger. Tes La Rok. JuJu. Matty G. SubFM. DubstepFM. Dub Terrain. Shackleton. Ricardo Villalobos. Ellen Allien and Apparat. Modeselektor. Night. Untrue. Mercury Music Prize nomination. Gilles Peterson. Worldwide. Dubplate Drama. Skins. Generation Bass. Lee 'Scratch' Perry. Prince Far I. Iron Devil. Soulja. Vaccine. Subeena. Ikonika. Hyperdub. La Roux. In For The Kill remix. Chase and Status. Snoop Dogg. Rihanna. Britney Spears. Eve. Me An My. Magnetic Man. I Need Air. Katy B. Dubbox. DJ Fresh. Louder. Number One UK single. Lucozade ad. Nero. Crossover. Top Ten. Mainstream.

19 September 2011

Review: Miguel Migs 'Outside The Skyline'













MIGUEL MIGS
Outside The Skyline
[Salted / Om Records]

Miguel Migs is a little like a George Benson figure for the San Francisco deep house music scene. In much the same way that Benson was sometimes derided for his slickly-produced, super-smooth sound, Migs cops plenty from folks who consider themselves authorities on what constitutes proper deep house. Like Benson before him, Migs walks his own path regardless, confounding the critics as he transcends the limitations of the scene he emerged from. Outside The Skyline is Migs' third album, and it follows in the footsteps of his previous works by melding early soul, dub, jazz, reggae, funk and Italo disco with his trademark house sound. Of particular note on this outing is the impressive roll call of guests: Meshell Ndegeocello, Bebel Gilberto, Georg Levin and Aya appear alongside reggae veterans Half Pint, Capleton and Freddie McGregor, and disco legend Evelyn 'Champagne' King. Very good, without being great.

3 stars from 5

Check out sound clips from the album on Miguel Migs' Soundcloud page.

18 September 2011

George FM Playlist Sun 18 Sept "In The Pocket" with special guest: Sene













It was an honour and a pleasure to have Sene up on the show today, sharing some of his favoured tunes with us on the wireless. Take a look at the young fulla in the middle in that pic above for a glimpse at the young days of our future Mayor of Grey Lynn.

Selections marked with an * from the bag of Sene.

Take | Dream Over
J*Davey | Dirty Love
Harvey Lindo with Philippa Alexander | Game Show (Low Risk Factor)
Julien Dyne with Mara TK | Layer
Latyrx | Lady Don't Tek No
Norman Weeks | I Just Wanna Sing For You
Raphael Saadiq | Skyy, Can You Feel Me?
Peven Everett | Testin' Me
*Patrice Rushen | Feels So Real
*Maxwell | Ascension (Don't Ever Wonder)
Grandmaster Flash | The Message (Roots Manuva remix)
Rae & Christian with Veba | Spellbound (Old English remix)
*Delegation | Put A Little Love On Me
*Killer Funk Disco Allstars | Things You Do To Me
George Macrae | Rock Your Baby
Greg Wilson | Edit The Edit "Two Sides Of Sympathy"
*George Benson | Breezin'
*PM Dawn | Set Adrift
Bernard Wright | Haboglabotribin
*CeCe Peniston | Somebody Else's Guy (David Morales Classic Old School mix)
*Killer Funk Disco Allstars | Indecision
T-Connection | Do What You Wanna Do
Kid Creole & The Coconuts | Stool Pigeon (Sir Billy's extended edit)

16 September 2011

Radio Ponsonby Playlist Fri 16 Sept "Expansions"




















Tony Ansell | Softly As In A Morning Sunrise
Gene Harris | The Look Of Slim
Up, Bustle & Out | Hip Hop Barrio
Ronnie Foster | Mystic Brew
Donald Byrd | Stepping Into Tomorrow
Greg Perry | Come Fly With Me
dZihan & Kamien | Ay Ay Ay
Tosca | Chocolate Elvis
People Under The Stairs | Tuxedo Rap
Arthur's Landing | Love Dancing
Amp Fiddler | Soul Divine
Grace Jones | Williams' Blood (Greg Wilson edit)
Frank Booker | El Salvador
Neil Diablo | The Feeling
Andy Ash | Hip Joint (Deep Space Orchestra mix)
Greg Wilson | Do It Any Way You Wanna
Bing Ji Ling | Home (Blackjoy dub)
Gay Marvine | Luv Thang
Ramsey Lewis | Spring High
Unique | What I Got Is What You Need
Beatfanatic | Electromagnetic Colours

11 September 2011

Radio Ponsonby Playlist Fri 9 Sept "Expansions"








Players Union | All Green
Wick-It The Investigator | Mashville Lowrider
Jayl Funk | I Got Ya
Five Special | Why Leave Us Alone? (Larry Levan remix)
Euro Funk | Take A Change (extended)
Juan Atkins | Dayshift (Oliver's Nightshift remix)
P-Money & Dan Aux | Kinda Lovin'
Ray Baretto | El Diablo Boom (Canosis edit)
Zeb | Revolutionary Dreams
Awa Band with Tony Allen | Bababatteur (Quantic remix)
The Yoots | Nga Iwi E
Recloose with Dwele | Can't Take It (Milton Jackson remix)
Miguel Migs with Peven Everett | Love We Had (Miguel Migs Salted Dub Deluxe)
Bah Samba | Let The Drums Speak (Phil Asher remix)
Screamin' Jay Hawkins | I Put A Spell On You (Jeremy Sole remix)
Charles Earland | Comin' To You Live
The Fatback Band | Are You Ready (Do The Bus Stop)
Nicolette Larson | Lotta Love (Disco Stereo mix)

Click here to watch/listen to the uStream broadcast, from Radio Ponsonby's uStream channel.

George FM Playlist Fri 9 Sept "Key To The Groove"



The Blackbyrds | Rock Creek Park (Onur Engin edit)
Flying Lotus | Do The Astral Plane
Miguel Migs | Love We Had (Miguel Migs Salted Dub Deluxe)
Drop Out City Rockers | Man On The Run
Chic | Soup For One (Frico edit)
Stevie Wonder | Uptight (Freddie Joachim remix)
Crazy P | Open For Service
Tinie Tempah v Bomfunk MCs | Pass Out (DJs From Mars edit)
Chromeo | Hot Mess (Oliver remix)
Rihanna v UB40 | Kingston Rude Boy (DJs From Mars edit)
Inland Knights & Sunloungaz | Weekend
Odyssey | Goin' Back To My Roots (Fingerman's Maximum Fonk edit)
Claudja Barry | I Wanna Dance (Tangoterje edit)
Livingstone & Canosis | Peg Leg
Mix Chopin | Move Your Body
Bonar Bradberry | Turning Loose (Ron Basejam remix)
Drop Out Orchestra | West Gothic Climax

07 September 2011

Review: The Adults 'The Adults'













THE ADULTS
The Adults
[Warner]

"Delicately pretty". Not words usually associated with Jon Toogood's band Shihad; but on what is effectively the whippet-thin frontman's debut solo album he has embraced them - and the spirit of collaboration, surrounding himself with some of New Zealand's finest songwriters and musicians: Ladi 6 (who provides vocals for album highlight 'Nothing To Lose'), Anika Moa, Julia Deans, Shayne Carter, Tiki Taane, Riki Gooch and plenty more besides. While calling the assemblage The Adults might be a less-than-subtle indication as to what to expect from the album, the fact is you won't hear this blasting from panel vans and student flats this summer. Yes, there is rock in here, but the diverse selection of styles (proper pop, country, folk and even funk influences) befits the breadth of guests present. Toogood plays ringmaster exceptionally, corralling all of this into an incredibly cohesive whole, which is also a hugely enjoyable listen.

3 and 1/2 stars from 5

06 September 2011

Live Review: TrinityRoots at Powerstation Fri 2 Sept













This week sees the launch of a brand new weekly street press title: Volume is edited by Sam Wicks (a scholar & a gentleman, both) and features interviews, reviews and plenty of opinion about music - good and bad. But mostly good. As evidenced by Issue #1 cover stars, Drab Doo-Riffs.

I've had the good fortune to be invited to write for the mag (#shamelessselfpromotion), and even managed to sneak into the debut issue with a live review of the recent TrinityRoots gig at Auckland's Powerstation...

TRINITYROOTS
With Tyra Hammond and The Bluebirds
The Powerstation, Auckland
Friday 2 September

TrinityRoots' third coming saw a refigured lineup looking to continue the legacy of one of New Zealand's best-loved bands. The diversity of the crowd underlined the esteem in which Trinity are held, with their fresh blend of deep roots reggae and psychedelic rock only part of their appeal. That undeniable bro-ish charm is undoubtedly another part; yet these are jazz school alumni with serious musical chops, unafraid of stretching songs live every which way. So shit was hype. Anticipation was high. And due to one of the founding members leaving the band only a few months ago, there was genuine excitement: who the fuck was going to replace sticks man Riki Gooch?

Opening act Tyra Hammond and The Bluebirds didn't so much heighten anticipation, as cause a certain amount of restlessness. Everyone loves each of those guys - and Tyra is a genuine star - but a handful of seemingly hurriedly put together blues covers did them no favours. Thankfully they closed with a couple of tracks taken from the Opensouls' excellent Standing In The Rain album.

Any concerns about the punters' attentions spans were dashed the instant TrinityRoots took the stage, opening with an expansive version of Two By Two. It must've been terrifying for new drummer Jean Pompey to step into this scene, but she showed no sign of nerves, as she set about pummeling her drums right from the outset. Lacking the power of Gooch, she made up for it with her dexterous and busy playing; and the group sounded as cohesive as ever, if not more so. Her warm vocals were a welcome addition, and the harmonies she, frontman Warren Maxwell and bass player Rio Hunuki Hemopo cooked up (alongside the shadowy figure of Mark Vanilau, who also added keys and guitar) stepped the sound to another level. Indeed, an unexpected highlight was Pompey singing Dawn Penn's No, No, No from behind the drums.

From a loping, lolloping ride through The Dream, a fiercely dubby version of Egos and an outstanding reading of Home, Land & Sea, it was clear to the adoring crowd that, even without one of their cornerstones, TrinityRoots are still capable of laying down music that breaks through barriers, transcends age and race, and unites those who really care to listen. Amen.

This review was originally pubished in issue #001 of Volume magazine, 6 Sept. 2011

04 September 2011

George FM Playlist Sun 4 Sept "In The Pocket"









Massive propers to the Frybread Bwoys, Tommy Flowers & the Average White DJ for helping celebrate Father's Day the right way: sunshine, mussels on the BBQ & cold brews. I only hope the music did the scene justice!

Electric Wire Hustle | Perception
Fat Freddy's Drop | Big BW (DJ Vadim remix)
Cherie Mathieson | 88 Days
Cazbee | Second Time Coming (Cazbee's Smooth Operator edit)
Gazeebo | Dirty Jazzy Jointz
Unforscene with Alice Russell | Don't You Worry
RAMP | Daylight
Wildcookie | Jackson Miles
The Roots with Erykah Badu | You Got Me
Electric Empire | Baby Your Lovin'
Isaac Aesili with Rachel Fraser | I'm All In
Onra | Relax In Mui Ne
Benny Tones with Mara TK | Nevermind
Kastil | Baltimore Thunder
Freddie Cruger with Linn | On My Way
Diverse | Jus' Biz
Choklate | Bigger Than You
Tosca | Chocolate Elvis
King Kapisi | Sub Cranium Feeling

03 September 2011

Radio Ponsonby Playlist Fri 2 Sept "Expansions"











Johnny Hammond | Shifting Gears (DJ Day remix)
Montana Sextet | Heavy Vibes (club mix)
T.J. Johnson Band | Dragonfly
Mighty 7 | Call Me
Trilark | Check It Out
Strafe | Set It Off
Class Action | Weekend (Larry Levan remix)
Tony Cook | On The Floor (Rock-It)
Skyy | Here's To You
Mike & Brenda Sutton | Don't Let Go Of Me (Grip My Hips & Move Me)
Change | Searching
Moodymann | Freeki Mutha Fucker (Egyptian Lover remix)
Fat Freddy's Drop | Shiverman (Soane remix)
Moodymanc | Black Paint (Larry Heard remix)
GQ | Lies (Theo Parrish remix)
G3Rst | We No Speak Cantina
Johnny Dynell | Jam Hot (Tensnake remix)
Marco Van Bassken | Minnie The Moocher (DJs From Mars remix)
Blue Rondo A La Turk | Me & Mr Sanchez

You can check the full show audio (and video! Complete with beer-drinking, daggy dancing & haircut adjusting!) by clicking right here. Watch the show live on Radio Ponsonby U-Stream every week.


01 September 2011

Radio Ponsonby Playlist Wed 31 Aug "Wenerei Drive"











Stepping up to the Radio Ponsonby Wednesday Drive plate today, for the absent Steve Steers. Threw down a mental selection of tracks from all over the show. It was fun!

Black Cards | Dominoes (Oliver remix)
Disco Deviance | Pushin' On (Situation edit)
Lunatics | Vent (Matty Blades remix)
Funk Ferret | Super Roller Rootdown
Tommy Ill | Second Hand Concorde
Moka Only | Lowdown Suite
Livingstone & Canosis | Walk On The Wild Side
Beatfanatic | Goin' Out (Drop Out Orchestra edit)
Midnight Magic | What The Eyes Can't See
Chromeo | Hot Mess (Oliver remix)
Wick-It & Axis | Baby Got Back
10CC | I'm Not In Love
Wu-Tang Clan v Nas & Damien Marley | As We Enter The Gravel Pit
Linkwood Family | Miles Away
Trujillo | Lookin' Up Through You
Lava Lava | Green Pool
Lava Lava | Burnt
Mix Chopin | Move Your Body
Peter Gabriel | Steam (Tim Livingstone edit)
Inland Knights & Da Sunloungaz | Weekend
Juan Atkins | Dayshift (Oliver's Nightshift remix)
Inland Knights & Da Sunloungaz | Everything But The Girl (Mezza mash)
Jazzy Jens | Undisputed
Crazy P | Stop Space Return (Ron Basejam edit)
Justin Simmons | I Need My Disco Fix
Wham | Lovemaker (Horse Meat Disco edit)